Ten years ago I reviewed The Screaming Staircase and wrote: This new series from Jonathan Stroud is the first since the Bartimaeus Sequence which sold over six million copies, and was translated in over 35 languages. The fact that Universal Studios has already picked up the film rights to Lockwood & Co. is an indicator of the enthusiasm this new series should generate. And now this terrific series is set to become the next Netflix sensation for kiddos.
After a decade it was just as enjoyable to re-read in it’s new dress and, once again, I have every confidence that your avid readers from about mid-primary upwards to secondary will thoroughly enjoy it – provided they’re not too squeamish about some pretty fearful ghosts *grin* and love some humour, even if it is a little grotesque at times.
If you still have not read this fab series, I ask ‘why not?’. Stroud’s writing is always classy and original so very much worth your own time as well as some solid promotion for your readers. I’m very much looking forward to seeing what’s been made of it for a viewing audience. Bring it on Netflix I say!! Australian release on 27th January! yay!
Highly recommended for your readers from around 10 years up.
ISBN: 9781760654153 Imprint: Walker Books Australia Distributor: Walker Australia Binding: Release Date: April 1, 2022
Australian RRP: $17.99 New Zealand RRP: $19.99
Allison Rushby has repeatedly proven her gift for suspenseful spookiness for middle-grade readers and this new book, in my opinion, might just have tipped the scales of my favourite so far. Eleven-year-old Lolli (Olivia) has never known her mother, who died when she was just three months old. She knows that her mum had some mental health issues and a difficult life but that’s about all she knows. She’s been raised by her mum’s friend, Freya, somewhat by default really, but that hasn’t stopped the two developing a bond as close as any biological mother and child would have. Their other much-loved family member is Freya’s great-aunt, Elsie, owner of an extraordinary old house in Spitalfields, London.
The house is a museum that’s not a museum really. It’s an installation – a theatrical set, if you will – where each room reflects a different period of history, and how it might have looked when occupied by family. For the many visitors who come to see it, especially at Christmastime, it is a thing of wonder and joy. For Lolli, it is the source of nightmares. She knows that as a baby she screamed if taken into the house, and she remembers only too vividly her last visit when the ‘thing’ swooped down her and almost crushed her. Now Elsie needs her help, and Lolli must overcome her fears and panic, control her mind and bring all her energies to bear to solve the ages-old dark secret of the house.
Readers will absolutely love the slow reveal of clues and facts that help us to follow Lolli’s thoughts, and her reflections on her own life and her connections to both people and the world. As with Allison’s other books, the creepiness is at exactly the right pitch – enough to scare a young reader deliciously but not leave them traumatised. Parallel to the exquisite ghost story, is a warm and wondrous take on family, and what it means to each of us, whatever our circumstances.
For those who know my own, I read this paragraph and got very teary – as the seventh anniversary of my girl’s passing was last week, and The Kid’s 17th birthday is this week – and for this one passage I truly thank Allison for her words which are so applicable in our context.
“Your mother was a good person, [Lolli]. And don’t ever let anyone tell you otherwise. All she’d want for you in this life is for you to be a good person too. That you are always brave enough to be your best self. That you strive to do the right thing. The good thing. The loving thing. The helpful thing. The kind thing. That’s exactly what your mother would have done herwhole life long if the world hadn’t broken her first.”
I was interested to read Allison’s notes at the back of the book and learn of the inspiration for the house in her story. You can read more about Dennis Severs’ House and understand the fascination for so many. For me this is exactly what ‘museums’ should be like – they should be living things as much as possible. [I don’t want to see a discarded object with a card tag attached to it, lying pointlessly on a shelf. I would much rather see it in its ‘actual’ setting! Canterbury Museum in NZ remains firmly in my memory after visiting when I was about 13 or so for the amazing Christchurch St collection and more.]
This is just one utterly fab read! – a little bit of history, a lot of creepiness, a bit of angst, a lot of love – all in all, a perfect package for any reader from around an astute 9 years up to 13 or so. I highly recommend it to you and I know I am looking forward to book talking it with my Year 7s before the holidays.